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Grandmaster Carlson Gracie

Master Reyson Gracie

 Grandmaster Reylson Gracie

Grandmaster Carley Gracie

 Grandmaster Carlos Gracie Jr.

Master Rolls Gracie

Master Rilion Gracie

 Development of Jiu-Jitsu

Judo is made up of many styles of Jiu-jitsu whose masters Kano had studied with. The most notable were Jikishin-ryu, Kito-ryu, and later Fusen-ryu would be incorporated for its groundwork (ne waza) as Kano would ask the style's head master, Mataemon Tanabe for his syllabus. Yokiashi Yamashita (Kano's Chief assistant) would add his knowledge of Yoshin Ryu ju jitsu and Tenshin shinyo Ryu ju jitsu, both of which, he was a master.

In 1912, Kano met with the remaining leader masters of Jiu-Jitsu to finalize a Kodokan syllabus of training and kata. Aoyagi of Sosusihis Ryu, Takano, Yano, Kotaro Imei and Hikasuburo Ohshima from Takeuisi Ryu. Jushin Sekiguchi and Mogichi Tsumizu from Sekiguchi Ryu, Eguchi from Kyushin Ryu, Hoshino from Shiten Ryu, Inazu from Miura Ryu and finally, Takamatsu, a Kukkishin Ryu master, whose school specialized in weapons training.

Before the formal meeting between Kano and the Grandmasters of Japan's greatest Jiu-jitsu schools, a defining event occurred, which is one of the most historically important pieces of the Brazilian Jiu-jitsu puzzle. By 1900, the Kodokan had been challenging other Jiu-Jitsu schools in sport competition and winning with throwing (standing) techniques. Much of the Kodokan's status was built on the throwing skills of Shiro Saigo, a practitioner of Oshikiuchi, the art of Daito Ryu Aikijujutsu (Sokaku Takeda). Jigoro Kano had actually enlisted the help of Shiro Saigo in order to win a famous tournament at the Tokyo police headquarters in 1886. This tournament, mentioned briefly earlier in this chapter, was Judo (Kano's style of Jujitsu) vs. "old" Jujitsu. It is interesting to note that Kano's champion was not originally a Judo student at all, but a student of an older Jujitsu style, which in reality, defeated the purpose of having a Judo vs. Jujitsu tournament in the first place.

As I stated earlier, Judo was a collection of Jiu-jitsu styles, once such style was the Fusen Ryu. Fusen was a school of Jiu-jitsu which specialized in Ground Work (Ne Waza). In 1900, the Kodokan challenged the Fusen Ryu school to a contest. At that time Judo did not have Ne Waza (ground fighting techniques), so instead they fought standing up, as Kano had been taught in both the Tenshin Shinyo Ryu and Kito Ryu systems he studied. Both Kito Ryu and Tenshin Shinyo Ryu had excellent striking skills and effective throws.

When Kodokan Judo practitioners fought the practitioners of Fusen Ryu Jiu-Jitsu, the Kodokan practitioners realized that there was no way they could defeat the Kodokan Judoka standing, thus they decided to use their superior ground fighting skills. When the Kodokan fighters and the Fusen Ryu men began to fight, the Jiu-Jitsu practitioners immediately went to the guard position ( lying on their backs in front of their opponents in order to control them with the use of their legs). The Kodokan Judoka didn't know what to do, and then the Fusen Ryu practitioners took them to the ground, using submission holds to win the matches. This was the first real loss that the Kodokan had experienced in eight years.

Kano knew that if they were going to continue challenging other Jiu-Jitsu schools, they needed a full range of ground fighting techniques. Thus with friends of other Jiu-Jitsu systems, among them being Fusen Ryu practitioners, Kano formulated the Ne Waza (ground techniques) of Kodokan Judo which included three divisions: Katame Waza (joint locking techniques), Shime Waza (choking techniques), and Osae Waza (holding techniques). This all occurs shortly before Judo arrives in Brazil, and serves as an excellent suggestion as to why Brazilian Jiu-jitsu contains a higher percentage of techniques on the ground than most styles of Jiu-jitsu or Judo.

After having several of his top students become Ne Waza experts, Kano thought it a good idea to use this type of Judo in the school system. As the matches ended in submission instead of serious injury as caused by traditional Jiu-Jitsu's. This new form of Judo and JiuJitsu would be seen more in a safe sportive way.

So in 1914 he organized the All Japan High School championships at Kyoto Imperial University. He called this sportive style Kosen. By 1925 so much emphasis was on newaza - because of its success in contest that Kano had to make some new Judo rules limiting the amount of time the Judoka could stay on the ground. This Kosen Rule continued into the 1940's, stating Shiai had to be 70% standing and 30% ground fighting. This led to an early split in the Kodokan Judo movement. Many of those Judoka whom Kano had set to master newaza, had spent time inventing new series of movements, escapes, and submissions.

They and their students were now dominating even the Kodokan contests. There was so much negativity with this, that Kano sent many of them abroad to teach Judo elsewhere. He was very aware that they would not be easily defeated no matter where they went, and he also smartly removed the challenge they presented in Japan. Some of the known Kosen Judoka were Yamashita, Hirata, Tomita, Yokoyama and Maeda.

Thus, we find ourselves faced with the impending development of Jiu-Jitsu in Brazil.

The History of Brazilian Jiu-Jitsu

Brazilian Jiu-Jitsu (BJJ) is a martial art and sport that focuses on grappling and especially ground fighting with the goal of gaining a dominant position from which to force an attacker to submit. The system developed from a modified version of Judo including some techniques from Japanese Jiujutsu and with a focus on Ne-Waza (ground technique). It promotes the principle that a smaller, weaker person using leverage and proper technique can successfully defend themselves against a bigger, stronger assailant.

The art began with Mitsuyo Maeda who immigrated to Brazil in the 1910s where an influential businessman named Gastão Gracie helped him get established. In return for his aid, Maeda taught the fighting art of Jiujitsu to Gastão's son Carlos, who then taught the art to his younger brothers, including Hélio Gracie.

The brothers trained many of their sons, who carried on the family tradition.


Grandmaster Carlos Gracie

Founder of Brazilian Jiu-Jitsu

Carlos Gracie (1901-1994), was taught Judo by Mitsuyo Maeda,
a Japanese emigrant to Brazil who was then a 4th dan Kodokan judoka. Carlos then passed the teachings on to his brothers Oswaldo, Gastão Jr., Jorge, and Hélio. In 1925, the brothers opened their first academy in Brazil, marking the beginning of the art of modern day Brazilian Jiu-Jitsu.
Carlos had 21 children, 12 whom received their Black Belt rank in Gracie Brazilian Jiu-Jitsu.

These 12 are:

  • Carlson Gracie--  9th Degree Red & Black Belt
  • Robson Gracie -- 9th Degree Red & Black Belt
  • Reyson Gracie -- 9th Degree Red & Black Belt
  • Reylson Gracie -- 9th Degree Red & Black Belt
  • Rosley Gracie -- 8th Degree red & Black Belt
  • Carley Gracie -- 8th Degree Red & Black Belt
  • Carlos "Carlinhos" Gracie Jr. -- 8th Degree Red & Black Belt
  • Rolls Gracie -- Black Belt
  • Carlion Gracie -- 7th Degree Black Belt
  • Rocian Gracie -- 7th Degree Black Belt
  • Colin Gracie -- 6th Degree Black Belt
  • Rilion Gracie -- 7th Degree Black Belt